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12

Mar

2013

Interview: Alamaailman Vasarat

By David Smith. Posted in Folk, Interviews, Jazz, Musicians, Rock, World | 1 Comment »
Alamaailman Vasarat

Alamaailman Vasarat

 

I reviewed here the most recent album by Finnish band Alamaailman Vasarat. Following that review, Stakula, the band’s leader, kindly agreed to an interview, offering some insights into the processes behind the music.

Valta is an addition to what by now is a substantial body of work, and Alamaailman Vasarat has established a distinctive sound. Has anything changed on this album compared to previous releases?

The most obvious changes were in the lineup. Before the Valta sessions, our new drummer Santeri Saksala had already performed with the band for a year, much to our enjoyment. The live performances really tightened up and had a whole new level of energy. In the Valta sessions, his knowledge and passion for the drums as instruments made a huge difference to album sound, not forgetting some of the most memorable improvised moments, like in the opening track “Riistomaasiirtäjä”. His contribution has made a huge impact in the overall sound of the band and we’re very happy to have him on board.

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2

Jul

2012

Review: Valta by Alamaailman Vasarat

By David Smith. Posted in Folk, Jazz, Reviews, Rock, World | No Comments »

Valta

Slumber takes you, and as time passes, you slip into a vivid dream. You are at a heavy metal concert, and thrill to the first deep and doom-laden, viscerally crunching chords. Then you realize that what you thought were guitarists have morphed into cellists, and as the tempo shifts into double time a saxophone adds a frenetic melody. As you look around you find that you are actually sitting outside a cafe in Eastern Europe, and what started as a metal band is now playing klezmer. Some villagers are dancing – somehow it doesn’t strike you as odd that they are dancing the tango, or that evocative middle eastern melodies drop in and out of the tune. You glimpse palm trees, and then hear a jazz ensemble playing somewhere behind you as a marching brass band passes in front, with heavy metal riffs returning to punctuate their melody. But as you turn to watch, you are sitting in the corner of a deserted café in which the pianist is playing his way plaintively towards closing time. In your dream all of this makes sense; the transitions are not jarring but part of an oddly continuous dream logic in which you are in constant movement toward a destination that is ever on the tip of your tongue, yet each passing location is oddly right and vivid.

Such is the experience of listening to an album by Finnish band Alamaailman Vasarat (which translates as “Hammers of the Underworld”). Alamaailman Vasarat create hugely entertaining instrumental music that draws from a bewildering variety of world music genres and fuses them within a progressive-rock-like inclination towards ever-shifting rhythms and bombastic flourishes.

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