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Review: Still by M. Ostermeier

By David Smith. Posted in Ambient, Reviews | 2 Comments »

M. Ostermeier – Still


The Tench label is definitely about quality more than quantity, with a mere seven releases over the last five years. All are worth attention. The last before the current release was Porya Hatami’s Shallow, over a year ago. The latest is from label head M. Ostermeier, and its title, Still, succinctly yet accurately captures its mood.

Listening to this album the first half dozen times I found myself having to repeatedly reorient my horizon of expectation despite the apparent consistency of its palette. The album opens with an oscillating hum, over which a slow piano meditation begins, soon accompanied by a background of small creaks and rustles. The sound put me in mind of the intimacy of Nils Frahm’s Felt, in which the creakings of the piano itself are an important presence that adds to the emotional intimacy.

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Porya Hatami - Shallow

Porya Hatami – Shallow


I’ve been listening a lot to Porya Hatami recently, and it has been a delightful experience. It all started with a bandcamp sale by the Flaming Pines label to celebrate their third anniversary – a different album was offered for free download every two days. That drew my attention to their wonderful Birds of a Feather 3″ CD series, and to the first in that series, The Black Woodpecker by Porya Hatami, and that led me to his impressive new CD on Tench, which I will review below. But first a few words about The Black Woodpecker, since that was the piece that tuned my ear to Hatami’s sounds.

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