Any list implies criteria, but let’s eliminate some obvious candidates. This is not a list of the most original, or significant, or skilled, or successful releases of 2013. There is so much that I simply did not listen to that those kinds of judgments are out of reach (for me as for everyone else). Instead, I asked myself: if I were to be separated from my music for a month or two and could only keep 20 albums from my collection with me, all released in 2013, which would I choose? This approach keeps me from adding or skipping things because I somehow feel I ought to. Worthy or not in the ears of the world, this is what I liked most from this year’s releases. Listen in; who knows, you might like it too.
I will admit it. At the end of each year, I attempt to come up with a “best-of” list of my own but struggle to identify even a handful. This is partly due to the fact that I am so bad about paying attention to the actual release dates of albums that I will invariably include several recordings that are older than I thought. This time, however, I had no trouble at all. 2012 proved to be a stellar year for releasing good music. Here are my picks for the best of the best, in no particular order:
O’ Be Joyfulby Shovels & Rope (Dualtone Music Group). (AMERICANA) Shovels & Rope is Michael Trent and Cary Ann Hearst, a husband-and-wife duo. Their website says they “sing harmony driven folk, rock and country songs using two old guitars, a kick drum, a snare, a few tambourines, harmonicas, and maybe a little keyboard sometimes.” There’s plenty of that on O’ Be Joyful, plusfiddles, banjos, and some wonderful, slightly off-kilter horns that take the genre to a new level (“Hail, Hail,” and “Tickin’ Bomb”). Clanky percussion is prominent on most of the tracks. Songs like “Carnival” demonstrate the duo can dazzle with slow-tempo ballads, too. It’s just quirky enough that it may not be for everyone, but if you like an old-timey country sound with a rockin’ edge to it, this album just might be right up your alley. ( Listen to samples here.)
Slumber takes you, and as time passes, you slip into a vivid dream. You are at a heavy metal concert, and thrill to the first deep and doom-laden, viscerally crunching chords. Then you realize that what you thought were guitarists have morphed into cellists, and as the tempo shifts into double time a saxophone adds a frenetic melody. As you look around you find that you are actually sitting outside a cafe in Eastern Europe, and what started as a metal band is now playing klezmer. Some villagers are dancing – somehow it doesn’t strike you as odd that they are dancing the tango, or that evocative middle eastern melodies drop in and out of the tune. You glimpse palm trees, and then hear a jazz ensemble playing somewhere behind you as a marching brass band passes in front, with heavy metal riffs returning to punctuate their melody. But as you turn to watch, you are sitting in the corner of a deserted café in which the pianist is playing his way plaintively towards closing time. In your dream all of this makes sense; the transitions are not jarring but part of an oddly continuous dream logic in which you are in constant movement toward a destination that is ever on the tip of your tongue, yet each passing location is oddly right and vivid.
Such is the experience of listening to an album by Finnish band Alamaailman Vasarat (which translates as “Hammers of the Underworld”). Alamaailman Vasarat create hugely entertaining instrumental music that draws from a bewildering variety of world music genres and fuses them within a progressive-rock-like inclination towards ever-shifting rhythms and bombastic flourishes.
This is part of a series suggesting ingredients for mixtapes or playlists on a variety of themes.
Whether you have a special someone to be your valentine this year or not, we’ve got you covered with this genre hopping “two-fer” mixtape of old and new songs ranging from easy listening to rock, pop, R&B, and lesser known indie singer-songwriter folk stuff. Side A is just the thing for happy couples to play while celebrating Valentine’s Day with a romantic evening alone – or, if the love affair’s over, flip it to Side B and let the music keep you company this Valentine’s Day. Either way, it’s a night spent with some great music.
Links to artist websites are provided for each track – a good way to learn more about the artists or to catch up on their latest news. Many of them are working on new recording projects for 2012.
When Irish troubadour Declan O’Rourke wrote this song, he thought no one would want to hear it. But he liked it and says he only finished it because he thought his family might enjoy it. He was more than a little surprised when he learned Josh Groban picked it up for inclusion on one of his albums – and a little sad to say goodbye to “his little song.” Since then, it has been covered by numerous artists and is destined to become a romantic standard.
Here as elsewhere, 2011 finished with the customary best-of-year lists, inevitably confronting the dedicated music lover with large numbers of as yet unpurchased albums said to be the cream of the crop; catching up would cost a small fortune, even if 2012 held no new promises. Well, 2011 also saw the release of some excellent albums offered for free download, and a few of the Music is Good authors have put together a list of their favorites across several genres. All of the albums listed below can be downloaded either for free or on a “name your own price” basis (donations encouraged, but with no minimum) from the artists or labels or at bandcamp. You can also stream some of them below. Our thanks to these artists for making such good music freely available.
I confess to being a skeptic regarding best-of-year lists, though I suspect I am far from alone. The general arbitrariness of the exercise (my own list might look different if you asked me in a different week*) combines with inevitable comparison of apples and oranges (is it really possible to say that a given ambient release is slightly “better” than a given rock album?). What’s more, I usually fail to find my own listening reflected in most published lists (this year I trawled several prominent top 50 and top 100 lists and found almost zero overlap with my own personal list). Adding another may well be simply adding to the futility.
I’m going to go ahead though, largely because of the small chance that as a result someone might discover one of the titles listed below and come to love it. After all, I discovered several of them through the gratefully received recommendations of others. Moreover, each of these releases deserves to be noted on a list somewhere. I make no claim to judge cosmic significance, attribute enduring worth, or arbitrate taste. The following albums are simply 2011 releases that I’ve played many times each and that have left me delighted or fascinated and wanting to keep hearing them in 2012.