Following on from my list of music by still-living composers, here’s one of older music. The usual caveats apply regarding how representative of the year’s releases this is, with the added proviso that I tend to avoid new recordings of repertoire that’s already in my collection, which brings the selection somewhat away from the mainstream. That said, I’ve covered a lot of ground and the 15 albums collectively serve to demonstrate just how broad the term “classical music” is—and how new centuries-old music can sound.
Anna Prohaska. Behind the Lines [DG]
The Austrian soprano marks the centenary of the First World War, with a selection of songs spanning several centuries and countries. From the opening folk song segueing into a piece from Beethoven’s “Egmont” music, through such varied composers as Roger Quilter and Wolfgang Rihm, to the final pair of Whitman settings by Kurt Weill, Prohaska is always at home. A superb, moving recital.
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A History of Classical Music through Recordings: Part 10
“The Art of the Netherlands”. Early Music Consort/David Munrow. Virgin
While the Renaissance is regarded as having begun in Italy in the 14th century, convention has it that “Renaissance music” begins in the Low Countries and northern France in the 15th. Part of the reason for this discrepancy is that whereas the art and literature of the Renaissance and of the classical period that inspired it had long been studied, the same wasn’t true of music. Until the 19th century, the music of the past tended to stay in the past, unperformed, and it wasn’t until the 20th century that there was much general interest in “early music” (broadly, anything before about 1750). Such music had literally to be rediscovered, and the music of trecento Italy simply wasn’t known about when ideas of “Renaissance music” were first considered. So perhaps Landini and his contemporaries should be called the first Renaissance composers; but convention has sided with the theorist Johannes Tinctoris (c1435-1511), who was dismissive of all music prior to the 15th century and considered music to have been reborn in his time. Spearheading this apparent rebirth were the composers of what’s called the Franco-Flemish school, beginning with Dufay and Binchois and ending over a century later. Like Dufay, many of these composers spent at least some of their careers in Italy or other parts of Europe, and the widespread diffusion of their works (aided greatly by the invention of printing) helped to create an international style of music.
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Time flies. It’s hard to believe that another Christmas season is already upon us. Didn’t I just get through wading through holiday shoppers in crowded malls? It seems to me our modern, technologically advanced world has set the clock at warp speed. Every Christmas, perhaps as a subconscious survival tool, I find myself turning to holiday music composed in what I think must have been simpler times – sort of my way of turning the clock back to a time when life somehow seemed to move slower and was perhaps a little more human. I play two very special CD’s every Christmas which fit that bill perfectly (heck, I have been known to still be playing them in July because they are too good to hear but once a year). The two disks have similar titles – All On a Christmas Morning by the traditional Irish group, Aengus, and The First Christmas Morning by Dan Fogelberg (yes, Fogelberg – although one may not necessarily view his music as coming from olden times).
Here’s the first CD in my Christmas survival kit:
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