By Craig McManus. Posted in Dance, Electronic, Experimental, Garage, Hip Hop, Indie, Pop, Post Punk, Psychedelic, Punk, R&B, Rap, Reviews, Rock | No Comments »
25. Waxahatchee – Ivy Tripp
Ivy Tripp is DIY singer/songwriter that draws on Katie Crutchfield’s punk past. Lyrically, the album continues her exploration of feminist ideas, and uses her experiences, or more specifically her mistakes, to demonstrate how a strong, independent woman is formed in today’s society.
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Sufjan Stevens – Carrie & Lowell
If there were questions as to the direction Sufjan Stevens would take after the departure from the norm that was Age of Adz, naming his new album after his mother and stepfather (his first album since his mother’s passing, mind you) answered those questions load and clear: Sufjan Stevens is looking back, which means a return to lovely, gentle indie folk. Carrie & Lowell strips away both the electronics of Adz and the lush orchestration of Come on Feel the Illinoise, putting the focus squarely on Sufjan’s lyrics, which come heavily from his life. This album is going inspire a lot of reminiscing, particularly amongst those who have lost parents, and is going to cause a lot of tears. They’ll be happy tears, though, so it’s unlikely people will be complaining.
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