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Last night I was at the Calvin College Fine Arts Center in Grand Rapids, Michigan, for what turned out to be one of the more memorable shows I’ve ever attended. I was there for Tinariwen (on whom more below). I had never heard of the opener, Kishi Bashi, not even via the use of his music (as I now learn) in a familiar Windows 8 commercial, and even if I had made the connection I would not have expected his music to be my thing. Support bands you’ve never heard of are often a bit of a lottery, and as two guys with a violin and a banjo took the stage I was ready for anything, but little expected what followed. Working with an amplified violin, various looping devices, and the assistance for half the set of Mike Savino of Tall Tall Trees on banjo and bass, Kishi Bashi (real name K. Ishibashi) strung together a series of loop-based pieces that defied genre categorization. He is blessed with formidable skills on the violin, a pure and powerful voice, and apparently boundless energy and musical imagination. Picture Jónsi Birgisson of Sigur Rós singing bluegrass-classical-folk-pop-experimental pieces structured like miniature progressive rock epics interspersed with beatboxing and driven by double-speed loops created live and you’ll be half way there.

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