“To me, it’s bogus that art can only be in museums. The real art is what goes on when people don’t expect it. My idea of a good time is getting in front of an audience and giving them more than they expected. That makes it a worthwhile, fulfilling thing to me.” – David Olney
Townes Van Zandt’s short list of favorite music writers included Mozart, Lightnin’ Hopkins, Bob Dylan, and … his buddy, David Olney. Obviously Olney keeps pretty good company, and deservedly so (except Eric Taylor once said, “Townes must have had a drink or two when he said Olney was up there with Mozart – Olney’s about as good as it gets when it comes to writin’, but he don’t sing like Mozart.”). With a career spanning more than four decades, he’s had time to polish his art to a fine shine. Whether performing blues, jazz, country, or folk ballads, Olney excels in them all – not to mention he can seriously rock. In short, David Olney is one brilliant artist – even if he doesn’t sing like Mozart. I am constantly amazed at what he comes up with next.
His latest venture is a unique series of thematic mini-album EPs on his own Deadbeet Records label, two of which have been released so far. Each EP consists of reinterpretations of some of Olney’s classic catalog tunes combined with brand new songs to create its own unique theme. The series capitalizes on Olney’s special talent for spinning a tale, which has made him one of the most original and impressive storytellers in the music business.
“Something happened. Back there all those centuries ago. Something not easily believed or easily dismissed. Two thousand years of glory and horror, of love and hate, of beauty and violence have only made those long ago events more murky and more enigmatic. But nothing comes of nothing. Something happened. The Stone is an attempt to address those events. From varying points of view (a con man, a donkey, a murderer and a soldier), a story is told. A picture struggles to emerge. Nothing is proved. Nothing is denied.’” (From the CD cover)