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3

Dec

2014

Review: Sea Island by loscil

By David Smith. Posted in Ambient, Drone, Electronic, Reviews | 2 Comments »

Sea Island

Several years ago, during a visit to Vancouver, I seized the chance to make a musical pilgrimage. Loscil’s First Narrows has long been a favorite of mine, especially the title track. Languorous underlying drones create a dreamy atmosphere, meticulously placed skittering touches keep the surface complex, the bass layer is unobtrusive yet interesting once you focus there, and mid-range acoustic instruments keep a hypnotic almost-melody going to carry the whole thing forward. It’s a remarkable union of stasis and forward motion that relaxes and fascinates equally.

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Trash Kit - ConfidenceTrash Kit – Confidence

Trash Kit is a post punk trio out of England.  Being a female band leads to lots of comparisons to The Slits and Raincoats and Trash Kit certainly has the hooks those bands did, but Confidence reminds me (and this is splitting hairs a bit) more of New York No Wave acts.  It’s not quite as shambling as a Lizzy Mercier Descloux or James Chance, but there is still a sense the music could fall apart at any moment.  The songs all hang together, though, (primarily due to their throbbing tribal beats) and they present a thoroughly enjoyable whole that explores some truly wonderful melodies and sounds.

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Savages & Bo Ningen - Words to the Blind

Savages & Bo Ningen – Words to the Blind

British post punk band Savages and Japanese psych rock band Bo Ningen came together for the collaborative album Words to the Blind.  Both bands have an experimental bent to their individual work and Words to the Blind seems to have increased those individual tendencies exponentially.  The single track album starts with about four and a half minutes of Savages’ frontwoman Jehnny Beth speaking in French and Bo Ningen’s Taigen Kawabe  speaking in Japanese with only the occasional instrumental note.  It’s unclear if the two are in conversation or even if the words are related.  Thereafter, harsh drones and baselines kick in for about five minutes followed by two minutes of eeriness. 

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Big K.R.I.T. CadillacticaBig K.R.I.T. – Cadillactica

Based on the early singles, I’ve been anxiously awaiting Big K.R.I.T.’s latest, and with its soulful, spacey, laid-back southern hip hop, Cadillactica more than lives up to my hopes.  As usual, K.R.I.T. brings positive, hopeful lyrics and acts as his own producer, so the beats and rhymes are of a piece (that piece is reminiscent of early Outkast, although not on that level).  There’s been a string of excellent hip hop albums released in the last few weeks (after a pretty barren summer), and Cadillactica, while very different in style/sound from something like Run the Jewels 2 or Hell Can Wait, fits in well with that high quality.  This one is highly recommended.

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Arca - XenArca – Xen

Arca is a very of the moment producer (some of Yeezus and one of my favorite albums of the year FKA twigs’ LP1), and Xen is very of the moment experimental electronics.  The album is hard hitting, glitchy, full of space, and in many ways harsh.  It’s also safe to say it is where a lot of experimental electronic music will be going in the next year or two.  This is an album to listen to on headphones when you don’t have anything else going on and can wallow in the oddness.

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31

Oct

2014

Into the Renaissance

By Stephen J. Nereffid. Posted in A History of Classical Music, Classical | No Comments »

A History of Classical Music through Recordings: Part 10

hcmr044artnethThe Art of the Netherlands”. Early Music Consort/David Munrow. Virgin

While the Renaissance is regarded as having begun in Italy in the 14th century, convention has it that “Renaissance music” begins in the Low Countries and northern France in the 15th. Part of the reason for this discrepancy is that whereas the art and literature of the Renaissance and of the classical period that inspired it had long been studied, the same wasn’t true of music. Until the 19th century, the music of the past tended to stay in the past, unperformed, and it wasn’t until the 20th century that there was much general interest in “early music” (broadly, anything before about 1750). Such music had literally to be rediscovered, and the music of trecento Italy simply wasn’t known about when ideas of “Renaissance music” were first considered. So perhaps Landini and his contemporaries should be called the first Renaissance composers; but convention has sided with the theorist Johannes Tinctoris (c1435-1511), who was dismissive of all music prior to the 15th century and considered music to have been reborn in his time. Spearheading this apparent rebirth were the composers of what’s called the Franco-Flemish school, beginning with Dufay and Binchois and ending over a century later. Like Dufay, many of these composers spent at least some of their careers in Italy or other parts of Europe, and the widespread diffusion of their works (aided greatly by the invention of printing) helped to create an international style of music.

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RTJ2Run the Jewels – Run the Jewels 2

Killer Mike and El-P are back with the best hip hop album of 2014 thus far.  Surprisingly released last Friday, RTJ2 is everything the duo’s first album was and then some.  The beats hit harder, the lyrics are broader, and the imagery is even sharper.  This time around, though, they’ve added some guests to the mix (most notably Rage Against the Machine’s Zack De La Rocha and Gangsta Boo) who do an excellent job adding to the album without stealing focus from the guys who brought them there. 

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Jessie Ware - Tough Love

Jessie Ware – Tough Love

Jessie Ware’s sophomore album comes a mere year and a half after her fantastic debut Devotion finally hit the U.S, and continues her exploration of R&B and electronic based pop music.  Tough Love is a mellow album that should make the perfect accompaniment to a winter afternoon spent under a blanket with a good book and your significant other, at least until “Keep on Lying” and its vaguely calypso beat (which oddly works despite sounding like a programed beat on an early Casio) kicks in and you put the book aside. 

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SOLSTØV

Walking alone this evening in an isolated spot in Texan hill country, dusk falling, a deer flashes across my path and halts a few yards away, quivering. I stop and we trade stares for a while, my stillness not quite assuaging her agitation. A bat passes erratically. A sudden movement behind me catches the corner of my eye, and I turn just as a fawn, perhaps a foot and a half high, almost stumbles into my legs. It looks up at me for a long, fragile moment, and bolts away. The moon grows brighter in a vast sky as the last light fades, the gathering night filled with air and glow and darting life and tensile peace. As I walk on I’m listening to Solstøv by Pjusk, an album not from Texas but from Norway, yet evocatively descriptive of such a night as this, a night of peace and vastness and life and surprise and glory. This walk and this music will now live together in my memory.

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Allan Kingdom - Soundset 2014

Allan Kingdom – Soundset 2014

Soundset 2014 brought an opportunity to speak with the Twin Cities own Allan Kingdom.  Allan’s been working on breaking into the local scene for a few years now and is starting to see snowballing success.  In addition to his first performance at Soundset (three years after he attended as a fan then swore he wouldn’t go back until he was a performer), the real life Allan Kyariga was named to First Avenue’s Best New Bands of 2013, got a cover story with local indie newspaper The City Pages, created an official remix of Poliça’s “Chain My Name”, and is in the process of readying two new releases.  Allan and I chatted about achieving childhood goals before even being old enough to drink legally, getting inspiration from the world around us, and what it means to be ‘The Northern Gentleman.’

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