‘Best of’ year-end lists are very subjective, being subject to the individual musical tastes of the compiler and my list, of course, is no different. Thus, the albums I have named (in no particular order) are simply the newly released ones that I enjoyed listening to the most during 2014.
Love and Gravity – Mary Fahl: This newest album by Mary Fahl recalls the glory days of her now defunct group October Project and excels them. Fahl’s rich contralto voice sounds as good as ever with no fillers here. Each track is a treasure, but a few standouts warrant special mention. It is hard to imagine a siren more spellbinding than in the song, “Siren,” and Fahl’s cover of “Both Sides Now” sounds like the song was written especially for her, infusing it with a deep emotional introspection I never appreciated before (not to take away from Collins’ timeless original). Then there is the beautiful memorial, “The Dawning of the Day,” written for the fallen firefighter heroes of 9/11. This is a stunning album from start to finish.
This mixtape recipe is not just a collection of songs, but a collection of films with music, and the connection between the pieces is one of visual feel. Long gone are the days when a music video was strictly a promotional accompaniment to a new single release. A growing array of film makers choose existing musical material as a stimulus for creating loosely related short pieces of visual art. Other projects emerge in which film-making and music-making are parts of a larger artistic project, each carrying its own weight. In many cases the resulting film has little to do with showcasing a band or titillating with cavorting divas; the focus is rather on exploring another dimension of the aesthetics of a piece of music. Below are three recent videos that are worth a look and that share a common wintry palette and a certain captivating forlornness.
Pjusk – Sus Pjusk are a Norwegian electronic duo who specialize in tense, icy soundscapes and have a new album due March 12 on the Glacial Movements label. A song from their 2010 album Sval was recently made the subject of a short film by Till Nowak, a German digital artist. The video works with snowy aerial footage of the Nordic landscape that indwells Pjusk’s music, but springs some visual surprises, taking things off-kilter enough to match the track’s uneasy ambience.