By David Smith. Posted in Ambient, Analysis and Opinion, Classical, Dance, Drone, Electronic, Experimental, Jazz, Post-Rock, Techno, Vital Albums, World | No Comments »
Here is my top 20 music releases for 2015, with no claim that they are somehow objectively the best or that I listened to everything anyone else did. I have found things that delighted me on other people’s lists, and the point of the exercise is not to replicate or compete with those lists but to highlight some things you may not have found, things that might delight you. The sequence changed every time I made a shortlist, so take the numbers with a pinch of salt – all of them could be at least plus or minus 5 on a given day.
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I confess to being a skeptic regarding best-of-year lists, though I suspect I am far from alone. The general arbitrariness of the exercise (my own list might look different if you asked me in a different week*) combines with inevitable comparison of apples and oranges (is it really possible to say that a given ambient release is slightly “better” than a given rock album?). What’s more, I usually fail to find my own listening reflected in most published lists (this year I trawled several prominent top 50 and top 100 lists and found almost zero overlap with my own personal list). Adding another may well be simply adding to the futility.
I’m going to go ahead though, largely because of the small chance that as a result someone might discover one of the titles listed below and come to love it. After all, I discovered several of them through the gratefully received recommendations of others. Moreover, each of these releases deserves to be noted on a list somewhere. I make no claim to judge cosmic significance, attribute enduring worth, or arbitrate taste. The following albums are simply 2011 releases that I’ve played many times each and that have left me delighted or fascinated and wanting to keep hearing them in 2012.
[*Addendum – as if purposely to prove this correct, two days after posting this list I discovered the album Hoping for the Invisible to Ignite by FareWell Poetry; had I heard it a week earlier it would have made my top five.]
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“People were more interested back then than today in this serious electronic music” comments former Kraftwerk member Klaus Röder in an interview for the recent documentary film Kraftwerk and the Electronic Revolution. “Yes, people today are interested in techno and so on, but I’ve had the feeling…that no one knows that it exists, the serious or so-called serious electronic music.” He may have a point – I’m guessing that most of the crowds at Germany’s famous “Love Parade” were not thinking “Ah, Stockhausen!” when they geared up to party. But the opposition of “techno” and “serious” is a little too easy. Alva Noto (the main recording alias of German electronic artist Carsten Nicolai) is one of the more significant reasons why.
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