Father John Misty – I Love You Honeybear
If you like the sound of soulful 70’s singer-songwriters, but think their lyrics weren’t nearly sarcastic, caustic, or angry enough, I’d like to introduce you to Father John Misty. I Love You Honeybear is the real life Josh Tillman’s sophomore album as Father John Misty, and while it replaces a lot of the anger of its predecessor with sincere sentiments of love (he met his now wife after Fear Fun was written) he hasn’t lost all of it (the lines “Save me white Jesus” and “Save me President Jesus” from first single “Bored in the USA” are early contenders for my favorite line of the year). More importantly, there’s a rare depth to this album that takes several listens to reach. Once it has been reached, however, I Love You Honeybear opens up and shows it is well worth the time.
Read more »
By Craig McManus. Posted in Electronic, Experimental, Funk, Hip Hop, Indie, Pop, Post Punk, R&B, Rap, Rock, Soul | No Comments »
I listened to a lot of music this year. According to last.fm I’ve listened to around 30,000 tracks, or an average of about 84 a day, in 2014. A whole lot of those listens weren’t close listens and a lot of them were songs released prior to 2014, but a good number of them were released in the past year. So while I certainly haven’t heard everything released this year, I’ve heard quite a bit of it and the below list is what I believe is the best. Unlike most of the writers here at MiG I don’t focus my listening on one or two genres (unless you want to define my listening habits as “blog pop,” which is kind of accurate), so there should be something for most people here. The blurbs about each album only scratch the surface of them, but I’m hopeful they will lead the reader to explore a couple of them more fully and that you find something you enjoy. Happy holidays, and here’s to an even better 2015 (Sleater-Kinney is back, so that’s a good start).
Read more »
D’Angelo and the Vanguard – Black Messiah
Ahhhhhhhhhhhhhhhhhhhhhhhhhhh! After 15 years and countless false alarms, D’Angelo’s follow up to Voodoo is finally here, and it’s exactly what I hoped it would be: Funky, smooth, sexy, hip hop infused, and glorious neo soul. Lead single “Sugah Daddy” is particularly strong, but there isn’t a weak spot on the album. Is it another Voodoo? Probably not. Unlike most long gestating albums from reclusive artists, however, it’s a worthy follow up and a fantastic addition to D’Angelo’s catalog. It also has the benefit of making all previously published ‘best of 2014’ lists invalid. Better get to revising NME, Paste, Stereogum, and Rolling Stone (well, you should have been revising already).
Read more »