Jenny Hval – Apocalypse, girl
Norwegian Jenny Hval makes experimental music made up of gentle, often ethereal, synths and uncompromising lyrics focusing on sex, gender, aging, religion, and other deep personal subjects (the word “cunt” is startlingly used on multiple tracks). This combination of the otherworldly and fully human creates an unsettling, fascinating whole. Apocalypse, girl, Hval’s third release under her own name, she previously recorded as Rockettothesky and along with Håvard Volden as Nude on Sand, is her best work to date. In fact, much of Apocalypse, girl merges all the above topics into one massive exploration of the female condition. This is not music for idle listening, but requires time and focus. That time and focus are rewarded, however, with one of the most lyrically interesting albums of the year thus far.
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By Craig McManus. Posted in Electronic, Experimental, Funk, Hip Hop, Indie, Pop, Post Punk, R&B, Rap, Rock, Shoegaze | No Comments »
MiG jumps into the year end ‘Best of’ lists, with Craig McManus leading off with his Top 20 albums of the year:
In the past, I’ve always written a blurb about each album explaining it’s inclusion on my list. Over the years of checking other people’s lists, however, I’ve noticed that I rarely read similar blurbs. Instead I scroll through to see what made it, what I agree with, what I disagree with, and with what I am unfamiliar. Then I move on to the next list. As I highly doubt I’m alone in this technique, I’m going to dispense with the paragraph of explanation and instead simply note the word or phrase by which it is best encapsulated. Think of it as a ‘Best of’ word association. It’ll save me time, and perhaps someone will actually read it rather than skimming to the next image.
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Here as elsewhere, 2011 finished with the customary best-of-year lists, inevitably confronting the dedicated music lover with large numbers of as yet unpurchased albums said to be the cream of the crop; catching up would cost a small fortune, even if 2012 held no new promises. Well, 2011 also saw the release of some excellent albums offered for free download, and a few of the Music is Good authors have put together a list of their favorites across several genres. All of the albums listed below can be downloaded either for free or on a “name your own price” basis (donations encouraged, but with no minimum) from the artists or labels or at bandcamp. You can also stream some of them below. Our thanks to these artists for making such good music freely available.
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2011 has been another good year for music, with a deep list of very good albums released. This depth has allowed me to extend my usual Top Ten list to a Top Twenty that could easily have gone to 25 or 30 without me breaking a sweat. That said, ordering the below albums was a little harder than usual because for me there weren’t any truly mind blowing albums released this year. Ordinarily there is at least one album, if not two or three, that stand head and shoulders above the rest and demand the top spot(s), but that did not happen for me in 2011. In fact, had this year’s #1 album been released in 2010 it would have been at most #5 on that list (behind Titus Andronicus, Kanye West, Owen Pallett, and Dessa).
I think a big part of my not seeing a true #1 album this year is simply a matter of taste. A whole lot of lists are putting Bon Iver, Bon Iver at the top but that album simply does not work for me. While I loved For Emma, its follow-up feels like it is trying too hard (although it would appear successfully) to cross over into the pop realm and sanded off the rough edges that made For Emma so fantastic. I was even more disappointed in Watch the Throne, which comes off as nothing more than self-indulgent ego stroking. Add to these disappointments the fact that I’ve never been a fan of Fleet Foxes or My Morning Jacket and some of the years best reviewed albums are off the table for me.
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- Melissa Arpin and Scott Cortez of lovesliescrushing
For those of you with English degrees – and we all know there are more of you than you’d care to admit – the World Wide Web has proven to be a stubborn and resourceful enemy of grammatical correctness. It isn’t just that forum posters, news-site commenters, and bloggers (like me!) insist on ignoring virtually every rule of grammar, punctuation, and spelling consistency in the book; most of them refuse to admit the book even exists. “Let’s just crowdsource the rules of grammar,” they often say, as if this weren’t completely contrary to the whole purpose of language, or as if “crowdsource” were even a real word. And the web’s ubiquitous domain-naming system (DNS) merely adds fuel to the fire, with its uncaring approach to capitalization, and above all, its complete non-support of the space character.
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