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2011 has been another good year for music, with a deep list of very good albums released.  This depth has allowed me to extend my usual Top Ten list to a Top Twenty that could easily have gone to 25 or 30 without me breaking a sweat.  That said, ordering the below albums was a little harder than usual because for me there weren’t any truly mind blowing albums released this year.  Ordinarily there is at least one album, if not two or three, that stand head and shoulders above the rest and demand the top spot(s), but that did not happen for me in 2011.  In fact, had this year’s #1 album been released in 2010 it would have been at most #5 on that list (behind Titus Andronicus, Kanye West, Owen Pallett, and Dessa).

I think a big part of my not seeing a true #1 album this year is simply a matter of taste.  A whole lot of lists are putting Bon Iver, Bon Iver at the top but that album simply does not work for me.  While I loved For Emma, its follow-up feels like it is trying too hard (although it would appear successfully) to cross over into the pop realm and sanded off the rough edges that made For Emma so fantastic.  I was even more disappointed in Watch the Throne, which comes off as nothing more than self-indulgent ego stroking.  Add to these disappointments the fact that I’ve never been a fan of Fleet Foxes or My Morning Jacket and some of the years best reviewed albums are off the table for me.

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This is the first article in a series where Music is Good contributors discuss the albums that have most influenced them musically. They will include some favourites that they play regularly now, but other choices will be music that they rarely listen to anymore, but had a major influence on their musical development at the time.
My selection begins with the Beatles:

The Beatles inevitably had a major influence upon me musically as I was teenager in their early days. For me this is a turning point album moving from the early fairly straight forward recordings that could be replicated on stage to the later studio based albums like Sgt Pepper. To some extent it reflects my growing up as a person alongside the Beatles ‘growing up’ musically. It is still an album I play regularly with many standout tracks for me such as “Dr Robert” and “Got to Get You Into My Life”.

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Minneapolis is Funkytown.

No, really.

When Minneapolis natives Lipps Inc. released Mouth to Mouth at the end of 1979, disco was on its last legs. In the years prior, punk had exploded and seeded new musical movements that would become everything from new wave and post punk to hardcore and hip hop, but 1979 saw more direct attacks on the genre.  Everywhere you turned, from rock radio’s “death to disco” frenzy to TV’s anti disco characters on WKRP in Cincinnati, disco was quickly losing steam.  Even professional sports got involved in July with the Chicago White Sox “Disco Demolition Night”, which took its name quite literally when it detonated a crate full of disco records sparking an on field riot.  In the week following “Disco Demolition Night” each of the disco albums that had been in the top ten of the U.S. charts fell from that lofty position, and it seemed that disco was indeed dead. A few months later, though, Mouth to Mouth would provide disco with one more day in the sun through its hit single “Funkytown”.

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