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25. Waxahatchee – Ivy Tripp

Waxahatchee - Ivy TrippIvy Tripp is DIY singer/songwriter that draws on Katie Crutchfield’s punk past.  Lyrically, the album continues her exploration of feminist ideas, and uses her experiences, or more specifically her mistakes, to demonstrate how a strong, independent woman is formed in today’s society.

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Tame Impala - CurrentsTame Impala – Currents

Prior to his third album as frontman of Tame Impala, Kevin Parker collaborated with Mark Ronson on his mega hit Uptown Special (including singing lead on that album’s actual best song “Daffodils”), and it appears he learned a few things from Ronson.  Currents is still very much a Tame Impala record, but where InnerSpeaker and Lonerism were insular psychedelic rock made for putting on headphones and shutting out the world, Currents takes the band’s sound in a dancey new direction that begs to be played at high volume at BBQs and on beaches.  Whether it’s the sprawling jam of “Let it Happen”, the earworm hook of “‘Cause I’m a Man”, or the pure beauty of “Eventually”, Currents is, quite simply, the perfect summer album.

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Jamie xx - In CoulourJamie xx – In Colour

Electronic artist Jamie xx is best known as a member of The xx, but started gaining solo fame in 2010 with the release of his Gil Scott-Heron remix album We’re New HereIn Colour is Jamie’s solo debut and while there are moments reminiscent of The xx, especially when bandmates Romy Croft or Oliver Sim handle vocals, this is most assuredly not an xx album.  Jamie brings together all the various UK electronic styles (UK garage, wonky, dubstep, house, etc.), but adds different sounds to them (most interestingly a steel drum on “Just Saying” and guests Young Thug and Popcaan on lead single “I Know There’s Gonna Be (Good Times)”) to add a rare freshness that elevates the album to a new level.  Listening to In Colour is reminiscent of the first 2013 listens to Disclosure’s Settle (in excitement much more than sound), and it seems likely In Colour will have as large an impact on popular music as Settle did.

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Shamir - RatchetShamir – Ratchet

Shamir has been the next big thing in dance pop for a minute now, going from unknown to releasing a single on small NYC label Godmode to signing with indie titan XL Recordings in the blink of an eye.  Happily, Ratchet is a worthy capstone to such a meteoric rise.  Largely made up of very of the moment synth and drum machine sounds, but highlighted by Shamir’s contralto vocals, Ratchet is sexy, smooth, laid back fun.  In other words, it’s summer party music at its finest.

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Towkio - .WAV TheoryTowkio – .WAV Theory

Earlier this month, Towkio released the Chance the Rapper featuring “Heaven Only Knows” as a lead single to .WAV Theory.  The fantastic track was chock full of jazzy sounds, finger snaps/claps, and a gospel choir, but it was a statement from Chance at the end of the track that got people’s attention.  Just before the track ends, Chance says .WAV Theory would be the hottest mixtape of 2015, and anticipation for the tape skyrocketed.  Thankfully, we now know he wasn’t wrong.  With help from The Social Experiment, Vic Mensa, Kaytranda, and others, Towkio has created a tape that beautifully merges the disparate threads of Chicago rap into a cohesive (if experimental and maybe a little overstuffed) whole, that is most certainly the tape of the year so far.  Download it for free here.

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Waxahatchee - Ivy TrippWaxahatchee – Ivy Tripp

Philadelphia’s, by way of Birmingham, AL, Waxahatchee is the solo project of Katie Crutchfield, who makes DIY singer/songwriter, punk.  Ivy Tripp is Waxahatchee’s fantastic third full length album, first for the like minded Merge Records, and continues Crutchfield’s exploration of feminist ideas that goes back to her pre-Waxahatchee bands P.S. Eliot and The Ackleys.  Ivy Tripp‘s lyrics use Crutchfield’s experiences, or more specifically her mistakes, to demonstrate how a strong, independent woman is formed in today’s society, but it’s clear she’s just an example and makes no claim at creating a road map.  Even if you aren’t interested in the lyrics, though, (and really, whether you’re male or female, liberal or conservative, you should be interested) there is a lot to enjoy on Ivy Tripp.

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Courtney Barnett - Sometimes I Sit and Think, and Sometimes I Just SitCourtney Barnett – Sometimes I Sit and Think, and Sometimes I Just Sit

Courtney Barnett is part singer/songwriter storytelling and part punk ethos, which combine to form a fascinating whole appealing to fans of both clever lyrics and visceral noise.  Sometimes I Sit and Think, and Sometimes I Just Sit is just her first full length (following her Double EP: A Sea of Split Peas), but following 8 shows last week at SXSW and features with seemingly every major music website in the last few weeks, it already has her poised on the verge of stardom.  Thankfully, Sometimes I Sit… stands up to the hype.  The guitars still cut, Barnett still sings like a slacker, and the lyrics remain charming, creating yet another entry on the already long list of great 2015 albums.

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Kendrick Lamar - To Pimp a ButterflyKendrick Lamar – To Pimp a Butterfly

Much to the surprise of everyone (including his management at TDE), King Kendrick’s new album is out in the world a week early.  There is a lot that can, will, and should be said about To Pimp a Butterfly, but it all boils down to one thing: This album is an absolute monster.  To Pimp a Butterfly is essentially (and on “Mortal Man”, literally) a funked up conversation between Kendrick and his fore bearers.  It is also a simultaneous declaration of being a proud black man and a declaration of war against the socio-economic situation so many face in American society.  It’s the most daringly political album in some time, and it is jawdroppingly amazing.

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Drake - If You're Reading This It's Too LateDrake – If You’re Reading This It’s Too Late

Drake has jumped on the release an album by surprise bandwagon with If You’re Reading This It’s Too Late.  Unlike Beyoncé’s and D’Angelo’s big, blown out surprise albums, however, IYRTITL is really more of a mixtape than a studio album and finds Drake at his most stripped down and emo.  Most of the album is just Drake rapping over spare beats (primarily from Boi-1da, but Noah “40” Shebib is obviously here, too), with only the occasional feature from the likes of Lil Wayne, Travi$ Scott, and PARTYNEXTDOOR.  Essentially, IYRTITL is an album chock full of the most divisive aspects of Drake’s music, so if you’re already a fan you’ll love it, but if you aren’t it’s best to skip this one.

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Father John Misty - I Love You, HoneybearFather John Misty – I Love You Honeybear

If you like the sound of soulful 70’s singer-songwriters, but think their lyrics weren’t nearly sarcastic, caustic, or angry enough, I’d like to introduce you to Father John Misty.  I Love You Honeybear is the real life Josh Tillman’s sophomore album as Father John Misty, and while it replaces a lot of the anger of its predecessor with sincere sentiments of love (he met his now wife after Fear Fun was written) he hasn’t lost all of it (the lines “Save me white Jesus” and “Save me President Jesus” from first single “Bored in the USA” are early contenders for my favorite line of the year).  More importantly, there’s a rare depth to this album that takes several listens to reach.  Once it has been reached, however, I Love You Honeybear opens up and shows it is well worth the time.

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