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Doomtree - All HandsDoomtree – All Hands

The latest from beloved Twin Cities hip hop crew Doomtree, All Hands doesn’t bang quite as hard as its predecessor No Kings, but it still hits pretty hard (especially lead singles “.38 Airweight”, “Gray Duck”, and “Final Boss”).  More importantly the group’s MCs really upped the ante both lyrically and with their flow this time around.  Sims in particular is at the top of his game, but everyone really pulls their weight, making All Hands an absolute must for fans of indie hip hop.  Now…who wants to play a rousing game of “Duck, Duck, Gray Duck.”

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Sleater-Kinney - No Cities to LoveSleater-Kinney – No Cities to Love

There could be no other album to kick off NMT this week.  Sleater-Kinney is an all time rock band and even though the band members have had other great projects (The Corin Tucker Band and Wild Flag chief among them), there has been a hole in the music world since the band broke up in 2006.  Thankfully, they’re back together and No Cities to Love is right there with Dig Me Out and The Woods among their best.  The guitars are as precisely jagged as ever, Janet Weiss still doesn’t miss a beat on the drums, and the vocals (Corin Tucker handles most of the primary ones here) are on point for society in 2015.  No Cities to Love is punk rock at its absolute best.  Give it a listen and then get your popcorn, Sleater-Kinney is going to be omnipresent for the foreseeable future.

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Panda Bear - Panda Bear Meets the Grim ReaperPanda Bear – Panda Bear Meets the Grim Reaper

Psychedelic? Freak folk?  Experimental pop?  I’ve never been totally sure how to classify Panda Bear (or Animal Collective, for that matter), but whatever the term for it Panda Bear Meets the Grim Reaper is a definitive example.  The album is all layered vocals, synth swirls and samples, and gittery percussion.  Lead single “Mr Noah” is definitely the standout track, but the album as a whole is stronger than its predecessor Tomboy and almost certainly the best work from an Animal Collective member since Merriweather Post Pavilion.

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Rae Sremmurd - SremmLifeRae Sremmurd – SremmLife

SremmLife is the debut album from Rae Sremmurd (‘drummers ear’ spelled backwards for…reasons?) a Mississippi rap duo currently based in Atlanta.  Comprised of brothers Slim Jimmy and Swae Lee, Rae Sremmurd made waves in 2014 with hit singles “No Flex Zone” and “No Type” and a sound bridging the gap between chart rap and the ‘weird’ rap currently coming out of Atlanta.  Produced by Mike WiLL Made It (and the first release on his Eardruma label), SremmLife is bouncy southern trap highlighted by those previous singles and the Nicki Minaj/Young Thug collaboration “Throw Sum Mo”.  The rest of the album doesn’t quite rise to those heights, but remains an enjoyable listen and makes for a very promising debut.

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D'Angelo - Black MessiahD’Angelo and the Vanguard – Black Messiah

Ahhhhhhhhhhhhhhhhhhhhhhhhhhh!  After 15 years and countless false alarms, D’Angelo’s follow up to Voodoo is finally here, and it’s exactly what I hoped it would be: Funky, smooth, sexy, hip hop infused, and glorious neo soul.  Lead single “Sugah Daddy” is particularly strong, but there isn’t a weak spot on the album.  Is it another Voodoo?  Probably not.  Unlike most long gestating albums from reclusive artists, however, it’s a worthy follow up and a fantastic addition to D’Angelo’s catalog.  It also has the benefit of making all previously published ‘best of 2014’ lists invalid.  Better get to revising NME, Paste, Stereogum, and Rolling Stone (well, you should have been revising already).

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The Smashing Pumpkins - Monuments to an ElegyThe Smashing Pumpkins – Monuments to an Elegy

A Smashing Pumpkins album with Tommy Lee on drums and a running time of a mere 32 minutes?  I’m intrigued.  Oddly, even with the incredibly short (for Billy Corgan) running time, this is one of the more varied Pumpkins albums in terms of sound.  It has the heavy rockers you expect (“One and All”), but also has quieter moments (“Being Beige”), electronic based dance tunes (“Run2me”), and is that a flute on “Drum + Fife”?  Based on the title I guess that makes sense.  Surprisingly, on first listen at least, the album holds together despite these variations, and provides a very enjoyable listen.  It is way too early to know if Monuments to an Elegy will have the stickiness of its excellent predecessor Oceania, but it has that potential.

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Trash Kit - ConfidenceTrash Kit – Confidence

Trash Kit is a post punk trio out of England.  Being a female band leads to lots of comparisons to The Slits and Raincoats and Trash Kit certainly has the hooks those bands did, but Confidence reminds me (and this is splitting hairs a bit) more of New York No Wave acts.  It’s not quite as shambling as a Lizzy Mercier Descloux or James Chance, but there is still a sense the music could fall apart at any moment.  The songs all hang together, though, (primarily due to their throbbing tribal beats) and they present a thoroughly enjoyable whole that explores some truly wonderful melodies and sounds.

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Savages & Bo Ningen - Words to the Blind

Savages & Bo Ningen – Words to the Blind

British post punk band Savages and Japanese psych rock band Bo Ningen came together for the collaborative album Words to the Blind.  Both bands have an experimental bent to their individual work and Words to the Blind seems to have increased those individual tendencies exponentially.  The single track album starts with about four and a half minutes of Savages’ frontwoman Jehnny Beth speaking in French and Bo Ningen’s Taigen Kawabe  speaking in Japanese with only the occasional instrumental note.  It’s unclear if the two are in conversation or even if the words are related.  Thereafter, harsh drones and baselines kick in for about five minutes followed by two minutes of eeriness. 

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Big K.R.I.T. CadillacticaBig K.R.I.T. – Cadillactica

Based on the early singles, I’ve been anxiously awaiting Big K.R.I.T.’s latest, and with its soulful, spacey, laid-back southern hip hop, Cadillactica more than lives up to my hopes.  As usual, K.R.I.T. brings positive, hopeful lyrics and acts as his own producer, so the beats and rhymes are of a piece (that piece is reminiscent of early Outkast, although not on that level).  There’s been a string of excellent hip hop albums released in the last few weeks (after a pretty barren summer), and Cadillactica, while very different in style/sound from something like Run the Jewels 2 or Hell Can Wait, fits in well with that high quality.  This one is highly recommended.

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Arca - XenArca – Xen

Arca is a very of the moment producer (some of Yeezus and one of my favorite albums of the year FKA twigs’ LP1), and Xen is very of the moment experimental electronics.  The album is hard hitting, glitchy, full of space, and in many ways harsh.  It’s also safe to say it is where a lot of experimental electronic music will be going in the next year or two.  This is an album to listen to on headphones when you don’t have anything else going on and can wallow in the oddness.

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