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Vince Staples

Saw a lot of live music this year, with well over 100 different bands represented.  These were the best of the bunch:

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25. Waxahatchee – Ivy Tripp

Waxahatchee - Ivy TrippIvy Tripp is DIY singer/songwriter that draws on Katie Crutchfield’s punk past.  Lyrically, the album continues her exploration of feminist ideas, and uses her experiences, or more specifically her mistakes, to demonstrate how a strong, independent woman is formed in today’s society.

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Desaparacidos - PayolaDesaparecidos – Payola

Conor Oberst is a busy man.  He has his solo work, he’s the frontman of Bright Eyes, a member of Monsters of Folk, a founder of Saddle Creek Records, etc. etc. etc.  His hardest hitting job, though, is as the front man of punk band Desaparecidos.  The band was originally formed in 2001 and released Read Music/Speak Spanish the following year before disbanding.  In 2010, the band reformed and started releasing occasional singles, which have been compiled (and added to) on Payola, an album of 14 2-3 minute bursts of pure punk rock.  A listener who goes into Payola expecting the gentle sounds and confessional lyrics of most Oberst projects will be taken aback by the distorted guitars and political ideas, but Oberst isn’t posing here.  He commits fully to the punk ethos and creates a record with depth, breadth, and a whole lot of fun.

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Shamir - RatchetShamir – Ratchet

Shamir has been the next big thing in dance pop for a minute now, going from unknown to releasing a single on small NYC label Godmode to signing with indie titan XL Recordings in the blink of an eye.  Happily, Ratchet is a worthy capstone to such a meteoric rise.  Largely made up of very of the moment synth and drum machine sounds, but highlighted by Shamir’s contralto vocals, Ratchet is sexy, smooth, laid back fun.  In other words, it’s summer party music at its finest.

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