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Doomtree - All HandsDoomtree – All Hands

The latest from beloved Twin Cities hip hop crew Doomtree, All Hands doesn’t bang quite as hard as its predecessor No Kings, but it still hits pretty hard (especially lead singles “.38 Airweight”, “Gray Duck”, and “Final Boss”).  More importantly the group’s MCs really upped the ante both lyrically and with their flow this time around.  Sims in particular is at the top of his game, but everyone really pulls their weight, making All Hands an absolute must for fans of indie hip hop.  Now…who wants to play a rousing game of “Duck, Duck, Gray Duck.”

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Rae Sremmurd - SremmLifeRae Sremmurd – SremmLife

SremmLife is the debut album from Rae Sremmurd (‘drummers ear’ spelled backwards for…reasons?) a Mississippi rap duo currently based in Atlanta.  Comprised of brothers Slim Jimmy and Swae Lee, Rae Sremmurd made waves in 2014 with hit singles “No Flex Zone” and “No Type” and a sound bridging the gap between chart rap and the ‘weird’ rap currently coming out of Atlanta.  Produced by Mike WiLL Made It (and the first release on his Eardruma label), SremmLife is bouncy southern trap highlighted by those previous singles and the Nicki Minaj/Young Thug collaboration “Throw Sum Mo”.  The rest of the album doesn’t quite rise to those heights, but remains an enjoyable listen and makes for a very promising debut.

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I listened to a lot of music this year.  According to last.fm I’ve listened to around 30,000 tracks, or an average of about 84 a day, in 2014.  A whole lot of those listens weren’t close listens and a lot of them were songs released prior to 2014, but a good number of them were released in the past year.  So while I certainly haven’t heard everything released this year, I’ve heard quite a bit of it and the below list is what I believe is the best.  Unlike most of the writers here at MiG I don’t focus my listening on one or two genres (unless you want to define my listening habits as “blog pop,” which is kind of accurate), so there should be something for most people here.  The blurbs about each album only scratch the surface of them, but I’m hopeful they will lead the reader to explore a couple of them more fully and that you find something you enjoy.  Happy holidays, and here’s to an even better 2015 (Sleater-Kinney is back, so that’s a good start).

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I didn’t listen to everything this year. Neither did you. I have no objective way of knowing that these are (or are not) the 20 best albums released this year. Neither do you. But these are the ones I most loved and most want to spend more time with next year, and who knows, maybe you’ll find something special here too, something you missed but can connect with and find riches in, something off your usual menu that you might come to be thankful for. If that happens even once, the list will be worthwhile. And as always, if any of the musicians drop by, thank you for the work, care, commitment, and creativity represented below.

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Another year has come and gone.  2014 saw another new batch of bands arrive, some depart, and lot of great music get made.  As far as I’m concerned, 2014 in the Twin Cities will be defined by the teenagers who burst onto the scene.  Regardless of genre, it seems like a crazy amount of the best music was made by people who usually can’t get into the clubs they’re planning when they aren’t on stage.  That said there is still room on this list for a man pushing 70 and room at the top for a guy who suddenly finds himself a part of the old guard despite only having been on the scene since about 2006.

As usual, these are just my personal top 15 of the year.  I can guarantee I missed something despite my best efforts to avoid it.  In fact, City Pages just published a list of the best local punk albums of the year and I don’t recognize a couple of them.  So once I publish this list, I’ll be heading over there to explore.  For now, though, here are my favorite Twin Cities albums for 2014.

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The Smashing Pumpkins - Monuments to an ElegyThe Smashing Pumpkins – Monuments to an Elegy

A Smashing Pumpkins album with Tommy Lee on drums and a running time of a mere 32 minutes?  I’m intrigued.  Oddly, even with the incredibly short (for Billy Corgan) running time, this is one of the more varied Pumpkins albums in terms of sound.  It has the heavy rockers you expect (“One and All”), but also has quieter moments (“Being Beige”), electronic based dance tunes (“Run2me”), and is that a flute on “Drum + Fife”?  Based on the title I guess that makes sense.  Surprisingly, on first listen at least, the album holds together despite these variations, and provides a very enjoyable listen.  It is way too early to know if Monuments to an Elegy will have the stickiness of its excellent predecessor Oceania, but it has that potential.

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3

Dec

2014

Review: Sea Island by loscil

By David Smith. Posted in Ambient, Drone, Electronic, Reviews | 2 Comments »

Sea Island

Several years ago, during a visit to Vancouver, I seized the chance to make a musical pilgrimage. Loscil’s First Narrows has long been a favorite of mine, especially the title track. Languorous underlying drones create a dreamy atmosphere, meticulously placed skittering touches keep the surface complex, the bass layer is unobtrusive yet interesting once you focus there, and mid-range acoustic instruments keep a hypnotic almost-melody going to carry the whole thing forward. It’s a remarkable union of stasis and forward motion that relaxes and fascinates equally.

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Trash Kit - ConfidenceTrash Kit – Confidence

Trash Kit is a post punk trio out of England.  Being a female band leads to lots of comparisons to The Slits and Raincoats and Trash Kit certainly has the hooks those bands did, but Confidence reminds me (and this is splitting hairs a bit) more of New York No Wave acts.  It’s not quite as shambling as a Lizzy Mercier Descloux or James Chance, but there is still a sense the music could fall apart at any moment.  The songs all hang together, though, (primarily due to their throbbing tribal beats) and they present a thoroughly enjoyable whole that explores some truly wonderful melodies and sounds.

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Savages & Bo Ningen - Words to the Blind

Savages & Bo Ningen – Words to the Blind

British post punk band Savages and Japanese psych rock band Bo Ningen came together for the collaborative album Words to the Blind.  Both bands have an experimental bent to their individual work and Words to the Blind seems to have increased those individual tendencies exponentially.  The single track album starts with about four and a half minutes of Savages’ frontwoman Jehnny Beth speaking in French and Bo Ningen’s Taigen Kawabe  speaking in Japanese with only the occasional instrumental note.  It’s unclear if the two are in conversation or even if the words are related.  Thereafter, harsh drones and baselines kick in for about five minutes followed by two minutes of eeriness. 

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Arca - XenArca – Xen

Arca is a very of the moment producer (some of Yeezus and one of my favorite albums of the year FKA twigs’ LP1), and Xen is very of the moment experimental electronics.  The album is hard hitting, glitchy, full of space, and in many ways harsh.  It’s also safe to say it is where a lot of experimental electronic music will be going in the next year or two.  This is an album to listen to on headphones when you don’t have anything else going on and can wallow in the oddness.

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