I was struck the other day by how often I had seen the word “intense” used to praise music while browsing recent reviews. Perhaps it was just the particular reviews I happened to sample. Perhaps it was an appropriate celebration of the passion invested in those recordings. Or perhaps it was a reflection of the ongoing quest for the next, even-more-vivid experience in a media-weary culture. Whichever it was, there certainly seems to be no shortage of music designed to fill the horizon and the frequency range without remnant, built to hook the ear within seconds and keep it wriggling helplessly until exhaustion sets in.
Tiring of the fray, I find myself at the moment more inclined to celebrate releases that make me smile with quiet surprises. I rejoice when gently touched by music that is not going for the arresting, big-screen effect, but is instead chasing small moments of beauty wrested from the noise. Already Gone, the sophomore release by Google-proof band En, is such an album. Released on Students of Decay, it is the latest of a series of small wonders distributed by Experimedia.
This mixtape recipe is not just a collection of songs, but a collection of films with music, and the connection between the pieces is one of visual feel. Long gone are the days when a music video was strictly a promotional accompaniment to a new single release. A growing array of film makers choose existing musical material as a stimulus for creating loosely related short pieces of visual art. Other projects emerge in which film-making and music-making are parts of a larger artistic project, each carrying its own weight. In many cases the resulting film has little to do with showcasing a band or titillating with cavorting divas; the focus is rather on exploring another dimension of the aesthetics of a piece of music. Below are three recent videos that are worth a look and that share a common wintry palette and a certain captivating forlornness.
Pjusk – Sus Pjusk are a Norwegian electronic duo who specialize in tense, icy soundscapes and have a new album due March 12 on the Glacial Movements label. A song from their 2010 album Sval was recently made the subject of a short film by Till Nowak, a German digital artist. The video works with snowy aerial footage of the Nordic landscape that indwells Pjusk’s music, but springs some visual surprises, taking things off-kilter enough to match the track’s uneasy ambience.
The other day I spent a while listening to a couple of free ambient netlabel releases that turned out to be just OK. Don’t get me wrong, there are many, many excellent free netlabel releases. These were just not two of them. They brought some interesting sounds together, but lost any sense of the space between them, ending up projecting a kind of mushy hum with various little noises floating stickily in the porridge as it gurgled thickly by. Returning after that listening foray to Kane Ikin’s new EP on 12k records was an exercise in contrasts. Anything that comes out on 12k is going to be painstakingly assembled and mastered, and this recording is no exception. It too works with stretched tones and assorted small sounds, but especially on headphones it opens them up into a delicate and spacious conversation.
There seems to have been a recent flurry of new creative partnerships between established solo artists working in the generous borderlands between neo-classical, electronic, and ambient music. In fairly quick succession we’ve been treated to lovely debuts from A Winged Victory for the Sullen (Adam Wiltzie and Dustin O’Halloran) and Oliveray (Nils Frahm and Peter Broderick), with the first Orcas release (Benoît Pioulard and Rafael Anton Irisarri) on the horizon. Now add to that list Aaron Martin and Dag Rosenqvist (who has most commonly recorded as Jasper TX). Their debut album as From the Mouth of the Sun is to be released at the end of January on Experimedia, and is recommended listening.
Underneath the Stars, the engaging new release from Tom Honey’s Good Weather for an Airstrike project, is immediately pleasing to the ear even as it perhaps takes some risks with its image. The release notes remind us that Honey began recording in connection with his aim of relieving his own tinnitus, and the tone of the new album is consistently soothing and almost entirely free of dissonance. The Goldberg Variations notwithstanding, if music was composed for therapeutic purposes it’s easy to wonder if it will also succeed as art. Add to that an ambient concept album based around the phases of sleep and including field recordings of gentle rain and thunder, and casual associations with faceless New Age collections of nature sounds and insomnia aids rather than serious listening might be forgiven. The fact that the album is released on the estimable Hibernate label, however, is considerable cause for optimism, and indeed there is more here than might first meet the eye (or ear). You can stream it below as you read.
Here as elsewhere, 2011 finished with the customary best-of-year lists, inevitably confronting the dedicated music lover with large numbers of as yet unpurchased albums said to be the cream of the crop; catching up would cost a small fortune, even if 2012 held no new promises. Well, 2011 also saw the release of some excellent albums offered for free download, and a few of the Music is Good authors have put together a list of their favorites across several genres. All of the albums listed below can be downloaded either for free or on a “name your own price” basis (donations encouraged, but with no minimum) from the artists or labels or at bandcamp. You can also stream some of them below. Our thanks to these artists for making such good music freely available.
I was an easy recruit. I stumbled across a new label called Wist Rec and one of its early projects, the Book Report Series. The series consists of releases of music inspired by literary works selected from among the Penguin Mini Modern Classics. Each release takes the form of a 3” CDR attached to a copy of the book upon which it was based. A translucent dustjacket mingles the names of musician and author. This combination of book and music is, according to the Wist Rec site, intended to “allow one to glean new, immediate connections between differing art forms,” and each release is limited to 100 copies. This was already intriguing. Add the twin facts that one of the works chosen was a short story by H.G. Wells that I remembered particularly admiring some years ago, and that the artist who would be covering this work was one already responsible for well over 200 tracks in my music library, and it was an easy decision to order The Door in the Wall by offthesky.