I confess to being a skeptic regarding best-of-year lists, though I suspect I am far from alone. The general arbitrariness of the exercise (my own list might look different if you asked me in a different week*) combines with inevitable comparison of apples and oranges (is it really possible to say that a given ambient release is slightly “better” than a given rock album?). What’s more, I usually fail to find my own listening reflected in most published lists (this year I trawled several prominent top 50 and top 100 lists and found almost zero overlap with my own personal list). Adding another may well be simply adding to the futility.
I’m going to go ahead though, largely because of the small chance that as a result someone might discover one of the titles listed below and come to love it. After all, I discovered several of them through the gratefully received recommendations of others. Moreover, each of these releases deserves to be noted on a list somewhere. I make no claim to judge cosmic significance, attribute enduring worth, or arbitrate taste. The following albums are simply 2011 releases that I’ve played many times each and that have left me delighted or fascinated and wanting to keep hearing them in 2012.
[*Addendum – as if purposely to prove this correct, two days after posting this list I discovered the album Hoping for the Invisible to Ignite by FareWell Poetry; had I heard it a week earlier it would have made my top five.]
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Festive Greetings from Hibernate & Home Normal
After gathering a selection of music that survived Christmas recently, I found myself wondering what a good ambient/drone Christmas album would sound like. That thought immediately requires clarification. Just about every kind of Christmas music takes on the ambient mantle at this time of year in the thin sense that it burbles away in the background and submits to being ignored. Even narrowing the notion down to music likely to get tagged as “ambient” at the online store, unappealing possibilities lurk: it’s not hard to imagine Christmas standards invoked in a syrupy, sentimental wash of insipidly cheerful chimes – Santa goes New Age, as it were. But what would a Christmas album sound like that was also serious ambient/drone music? Could it stay recognizably tethered both to Christmas and to the grainy soundscapes generated by the likes of Tim Hecker or Kyle Bobby Dunn? Well, no sooner had I begun to ponder than an answer arrived in the form of a Christmas release from the Hibernate and Home Normal labels titled Festive Greetings.
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offthesky - The Door in the Wall
I was an easy recruit. I stumbled across a new label called Wist Rec and one of its early projects, the Book Report Series. The series consists of releases of music inspired by literary works selected from among the Penguin Mini Modern Classics. Each release takes the form of a 3” CDR attached to a copy of the book upon which it was based. A translucent dustjacket mingles the names of musician and author. This combination of book and music is, according to the Wist Rec site, intended to “allow one to glean new, immediate connections between differing art forms,” and each release is limited to 100 copies. This was already intriguing. Add the twin facts that one of the works chosen was a short story by H.G. Wells that I remembered particularly admiring some years ago, and that the artist who would be covering this work was one already responsible for well over 200 tracks in my music library, and it was an easy decision to order The Door in the Wall by offthesky.
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