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BADBADNOTGOOD and Ghostface Killah - Sour SoulBADBADNOTGOOD & Ghostface Killah – Sour Soul

Combining an avant-garde, instrumental jazz and hip hop trio and a brilliant MC with a love for soul/jazz samples is a no brainer.  So, it should come as no surprise the combination of BADBADNOTGOOD and Ghostface Killah works so well.  Throw in guest verses from guys like Doom and Danny Brown, and Sour Soul is an embarrassment of riches.  The album sounds exactly as you would hope, with unmistakable Ghostface rhymes (in both topic and flow) sitting on top of a bed of soulful piano/synths, live bass, and drums.  The artists all have such a wonderful feel for each other it seems they’ve been working together for years.  Sour Soul is a great album.

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Drake - If You're Reading This It's Too LateDrake – If You’re Reading This It’s Too Late

Drake has jumped on the release an album by surprise bandwagon with If You’re Reading This It’s Too Late.  Unlike Beyoncé’s and D’Angelo’s big, blown out surprise albums, however, IYRTITL is really more of a mixtape than a studio album and finds Drake at his most stripped down and emo.  Most of the album is just Drake rapping over spare beats (primarily from Boi-1da, but Noah “40” Shebib is obviously here, too), with only the occasional feature from the likes of Lil Wayne, Travi$ Scott, and PARTYNEXTDOOR.  Essentially, IYRTITL is an album chock full of the most divisive aspects of Drake’s music, so if you’re already a fan you’ll love it, but if you aren’t it’s best to skip this one.

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Shallow Remixed

Shallow Remixed

Porya Hatami increased his profile in 2014 with a string of excellent releases on various labels. Shallow was my favorite album of the year, and I am still listening to it regularly a year after its release. (Review and stream here.) It was therefore intriguing to learn that a remix album was in the works, with contributions from notables such as Loscil and The Green Kingdom. Would it extend the listening pleasure or render the sublime mundane?

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Father John Misty - I Love You, HoneybearFather John Misty – I Love You Honeybear

If you like the sound of soulful 70’s singer-songwriters, but think their lyrics weren’t nearly sarcastic, caustic, or angry enough, I’d like to introduce you to Father John Misty.  I Love You Honeybear is the real life Josh Tillman’s sophomore album as Father John Misty, and while it replaces a lot of the anger of its predecessor with sincere sentiments of love (he met his now wife after Fear Fun was written) he hasn’t lost all of it (the lines “Save me white Jesus” and “Save me President Jesus” from first single “Bored in the USA” are early contenders for my favorite line of the year).  More importantly, there’s a rare depth to this album that takes several listens to reach.  Once it has been reached, however, I Love You Honeybear opens up and shows it is well worth the time.

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Title Fight - HyperviewTitle Fight – Hyperview

Punk bands usually age poorly.  Youthful anger often matures into adult satisfaction and neuters new music.  Happily, Title Fight seem to be avoiding this pitfall by exploring different sonic palates.  The first 5 songs of Hyperview are dreamy punk that show clear influences from My Bloody Valentine and progeny.  Track 6 and after, however, make quite the sonic switch to post punky (almost new wave) sounds reminiscent of the new direction Merchandise took on After the End.  Both halves of the album are excellent, but putting them together does make for a somewhat jarring listen.

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