Used with permission.
For the seven nights from December 4 to December 10, First Avenue and the 7th Street Entry in downtown Minneapolis will be taken over by the top hip hop crew in Minnesota: The Doomtree collective. Doomtree Blowout VII is larger and more daring than any of the first six and celebrates the release of the collective’s new album No Kings, which received excellent reviews over the last couple of weeks from Pitchfork, the Onion A/V Club, and countless others.
Doomtree is a crew of hip hop musicians that initially came together around 2001 at Hopkins High School in a first ring suburb of Minneapolis, but has since seen some shift in membership to its current, seemingly static, form. The collective as a whole creates highly literate lyrics to go with music and beats that are strongly influenced by punk rock. This combination has certainly aided the group’s crossover into the type of indie rap that gets the attention of blogs like Pitchfork, and seems to have Doomtree on the verge of breaking through into the indie mainstream (if such a thing actually exists and if they haven’t done so already). Now they are undertaking a massive homestand before heading out on a long tour in the new year.
The first five nights of the Blowout will be held at the Entry with each night being curated by one of the collective’s M.C.s who will be joined on stage by special guests. Then the whole crew will convene in the First Avenue Mainroom on Friday and Saturday night for what I’m sure will be killer shows. Before they do, though, the collective needs to be introduced to the fine readers of Music is Good:
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Time flies. It’s hard to believe that another Christmas season is already upon us. Didn’t I just get through wading through holiday shoppers in crowded malls? It seems to me our modern, technologically advanced world has set the clock at warp speed. Every Christmas, perhaps as a subconscious survival tool, I find myself turning to holiday music composed in what I think must have been simpler times – sort of my way of turning the clock back to a time when life somehow seemed to move slower and was perhaps a little more human. I play two very special CD’s every Christmas which fit that bill perfectly (heck, I have been known to still be playing them in July because they are too good to hear but once a year). The two disks have similar titles – All On a Christmas Morning by the traditional Irish group, Aengus, and The First Christmas Morning by Dan Fogelberg (yes, Fogelberg – although one may not necessarily view his music as coming from olden times).
Here’s the first CD in my Christmas survival kit:
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These are the best-reviewed discs in the latest issues of the three U.K.-based classical review magazines – Gramophone, BBC Music Magazine, and International Record Review.
Gramophone Choice, December 2011
[Recording of the month] Schumann: String quartets, op.41. Doric String Quartet. Chandos 10692
“here, at last, is a seriously recommendable version of all three [quartets]” – Harriet Smith
Ireland: Piano concerto; Legend; First Rhapsody; etc. John Lenehan (p); Royal Liverpool PO/John Wilson. Naxos 8.572598
“a splendid new recording of what is undoubtedly the finest of all British piano concertos… A CD not to be missed by all lovers of English music” – Ivan March
Saariaho: Clarinet concerto, ‘D’om le vrai sens’; Laterna magica; Leino songs. Kari Kriikku (cl); Anu Komsi (sop); Finnish Radio SO/Sakari Oramo. Ondine 1173-2
“As Kaija Saariaho approaches her 60th birthday, her music continues to extend in range and depth” – Guy Rickards
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