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BADBADNOTGOOD and Ghostface Killah - Sour SoulBADBADNOTGOOD & Ghostface Killah – Sour Soul

Combining an avant-garde, instrumental jazz and hip hop trio and a brilliant MC with a love for soul/jazz samples is a no brainer.  So, it should come as no surprise the combination of BADBADNOTGOOD and Ghostface Killah works so well.  Throw in guest verses from guys like Doom and Danny Brown, and Sour Soul is an embarrassment of riches.  The album sounds exactly as you would hope, with unmistakable Ghostface rhymes (in both topic and flow) sitting on top of a bed of soulful piano/synths, live bass, and drums.  The artists all have such a wonderful feel for each other it seems they’ve been working together for years.  Sour Soul is a great album.

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Drake - If You're Reading This It's Too LateDrake – If You’re Reading This It’s Too Late

Drake has jumped on the release an album by surprise bandwagon with If You’re Reading This It’s Too Late.  Unlike Beyoncé’s and D’Angelo’s big, blown out surprise albums, however, IYRTITL is really more of a mixtape than a studio album and finds Drake at his most stripped down and emo.  Most of the album is just Drake rapping over spare beats (primarily from Boi-1da, but Noah “40” Shebib is obviously here, too), with only the occasional feature from the likes of Lil Wayne, Travi$ Scott, and PARTYNEXTDOOR.  Essentially, IYRTITL is an album chock full of the most divisive aspects of Drake’s music, so if you’re already a fan you’ll love it, but if you aren’t it’s best to skip this one.

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Shallow Remixed

Shallow Remixed

Porya Hatami increased his profile in 2014 with a string of excellent releases on various labels. Shallow was my favorite album of the year, and I am still listening to it regularly a year after its release. (Review and stream here.) It was therefore intriguing to learn that a remix album was in the works, with contributions from notables such as Loscil and The Green Kingdom. Would it extend the listening pleasure or render the sublime mundane?

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Father John Misty - I Love You, HoneybearFather John Misty – I Love You Honeybear

If you like the sound of soulful 70’s singer-songwriters, but think their lyrics weren’t nearly sarcastic, caustic, or angry enough, I’d like to introduce you to Father John Misty.  I Love You Honeybear is the real life Josh Tillman’s sophomore album as Father John Misty, and while it replaces a lot of the anger of its predecessor with sincere sentiments of love (he met his now wife after Fear Fun was written) he hasn’t lost all of it (the lines “Save me white Jesus” and “Save me President Jesus” from first single “Bored in the USA” are early contenders for my favorite line of the year).  More importantly, there’s a rare depth to this album that takes several listens to reach.  Once it has been reached, however, I Love You Honeybear opens up and shows it is well worth the time.

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Title Fight - HyperviewTitle Fight – Hyperview

Punk bands usually age poorly.  Youthful anger often matures into adult satisfaction and neuters new music.  Happily, Title Fight seem to be avoiding this pitfall by exploring different sonic palates.  The first 5 songs of Hyperview are dreamy punk that show clear influences from My Bloody Valentine and progeny.  Track 6 and after, however, make quite the sonic switch to post punky (almost new wave) sounds reminiscent of the new direction Merchandise took on After the End.  Both halves of the album are excellent, but putting them together does make for a somewhat jarring listen.

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Doomtree - All HandsDoomtree – All Hands

The latest from beloved Twin Cities hip hop crew Doomtree, All Hands doesn’t bang quite as hard as its predecessor No Kings, but it still hits pretty hard (especially lead singles “.38 Airweight”, “Gray Duck”, and “Final Boss”).  More importantly the group’s MCs really upped the ante both lyrically and with their flow this time around.  Sims in particular is at the top of his game, but everyone really pulls their weight, making All Hands an absolute must for fans of indie hip hop.  Now…who wants to play a rousing game of “Duck, Duck, Gray Duck.”

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22

Jan

2015

Top 20 of 2014: Kezzie Baker

By Kezzie Baker. Posted in Bluegrass, Blues, Folk, Indie, Uncategorized | No Comments »

‘Best of’ year-end lists are very subjective, being subject to the individual musical tastes of the compiler and my list, of course, is no different.  Thus, the albums I have named (in no particular order) are simply the newly released ones that I enjoyed listening to the most during 2014.

Love and Gravity – Mary Fahl:  This newest album by Mary Fahl recalls the glory days of her now defunct group October Project and excels them.  Fahl’s rich contralto voice sounds as good as ever with no fillers here. Each track is a treasure, but a few standouts warrant special mention.  It is hard to imagine a siren more spellbinding than in the song, “Siren,” and Fahl’s cover of “Both Sides Now” sounds like the song was written especially for her, infusing it with a deep emotional introspection I never appreciated before (not to take away from Collins’ timeless original). Then there is the beautiful memorial, “The Dawning of the Day,” written for the fallen firefighter heroes of 9/11. This is a stunning album from start to finish.

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Sleater-Kinney - No Cities to LoveSleater-Kinney – No Cities to Love

There could be no other album to kick off NMT this week.  Sleater-Kinney is an all time rock band and even though the band members have had other great projects (The Corin Tucker Band and Wild Flag chief among them), there has been a hole in the music world since the band broke up in 2006.  Thankfully, they’re back together and No Cities to Love is right there with Dig Me Out and The Woods among their best.  The guitars are as precisely jagged as ever, Janet Weiss still doesn’t miss a beat on the drums, and the vocals (Corin Tucker handles most of the primary ones here) are on point for society in 2015.  No Cities to Love is punk rock at its absolute best.  Give it a listen and then get your popcorn, Sleater-Kinney is going to be omnipresent for the foreseeable future.

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18

Jan

2015

Top 15 ‘Old’ Classical of 2014: Stephen J Nereffid

By Stephen J. Nereffid. Posted in Classical | No Comments »

prohaskaFollowing on from my list of music by still-living composers, here’s one of older music. The usual caveats apply regarding how representative of the year’s releases this is, with the added proviso that I tend to avoid new recordings of repertoire that’s already in my collection, which brings the selection somewhat away from the mainstream. That said, I’ve covered a lot of ground and the 15 albums collectively serve to demonstrate just how broad the term “classical music” is—and how new centuries-old music can sound.

#1.

Anna Prohaska. Behind the Lines [DG]

The Austrian soprano marks the centenary of the First World War, with a selection of songs spanning several centuries and countries. From the opening folk song segueing into a piece from Beethoven’s “Egmont” music, through such varied composers as Roger Quilter and Wolfgang Rihm, to the final pair of Whitman settings by Kurt Weill, Prohaska is always at home. A superb, moving recital.

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Panda Bear - Panda Bear Meets the Grim ReaperPanda Bear – Panda Bear Meets the Grim Reaper

Psychedelic? Freak folk?  Experimental pop?  I’ve never been totally sure how to classify Panda Bear (or Animal Collective, for that matter), but whatever the term for it Panda Bear Meets the Grim Reaper is a definitive example.  The album is all layered vocals, synth swirls and samples, and gittery percussion.  Lead single “Mr Noah” is definitely the standout track, but the album as a whole is stronger than its predecessor Tomboy and almost certainly the best work from an Animal Collective member since Merriweather Post Pavilion.

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